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狼啸
回复 :未来东方世界，外星虫族妄图控制人类，危险一触即发，天野带领的正义部队历经艰难终于击败来敌。希望曙光来临之际，天野被世人奉为英雄，但他却发现，自己成为幕后黑手的待宰羔羊，而人类将面对更大的危机。一场绝地逃亡就此展开，更意想不到的是，在此背后隐藏着更大的阴谋。
孙颖
回复 :The documentary follows the main stages of Janis Joplin’s life, from her performance at Monterey Pop in 1967 to Woodstock in 1969 and Festival Express in 1970, including interviews with relatives, friends and rock stars of her time. The soundtrack features Janis Joplin’s hits, among which Cry Baby, Mercedes Benz and Piece of My Heart. Amy Berg shows the woman behind the myth, other than the rock roll icon, unveils a gentle, innocent yet strong woman. Well known as rock icon, the personal story of Janis Joplin is very complex. Janis serves as a narrator, telling us her life through the letters she wrote to her friends, relatives and lovers, leading us in a journey that starts from her childhood.
谢晖
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
