小说作家在圣诞节返乡整理儿时故居,没准菜遇见了一位正在寻找生母的女人。一本旧日记能解开她们的过往秘密,打开彼此心房吗?
小说作家在圣诞节返乡整理儿时故居,没准菜遇见了一位正在寻找生母的女人。一本旧日记能解开她们的过往秘密,打开彼此心房吗?
回复 :卡夫卡《变形记》的幽默版。A woman becomes furious when her husband arrives home from the local pub and turns into a rat.
回复 :热爱吟诵诗歌且幽默健谈的杀手贝罗特(Benoît Poelvoorde 饰)自费请来一支摄制组为他拍摄纪录片。在镜头前,他毫无保留且毫无隐讳地展现每次行凶的全过程,并悉心讲解不同的杀人技巧。摄制组成员从最初的观众逐渐演变成贝罗特的帮凶,这一种疯狂之人仿佛失控的汽车,飞速向毁灭的终点驶去……本片成本仅为15000美元,却成为比利时当年商业上最成功的影片,并且荣获1992年戛纳电影节SACD奖最佳影片和青年特别奖、1993年法国电影评论协会奖最佳外语片奖、1992年Sitges – Catalonian国际电影节最佳男主角(Benoît Poelvoorde)和最佳影片奖、1992年多伦多国际电影节Metro媒体奖。本片导演Rémy Belvaux于2006年9月4日去世,享年40岁。
回复 :This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.