依赖药水When the President learns that domestic terrorists have skyjacked the passenger jet her brother is flying...
依赖药水When the President learns that domestic terrorists have skyjacked the passenger jet her brother is flying...
回复 :PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm
回复 :Based on the book by Naoki Higashida this immersive film explores the experiences of nonspeaking autistic people around the world.
回复 :本片讲述了一个风雨交加的夜晚,冯喜(陈宇星 饰)独自走在回家的路上,途径一片树林。冯喜隐约听到有个女子的声音在求他帮忙—— 她崴了脚,需要他扶她回去。女子告诉冯喜,她叫李嫣嫣(费璇 饰),是附近道人的徒弟,于是结伴而行。两人途 径一个山洞,进去休息。期间,李嫣嫣对冯喜暗送秋波,冯喜把持不住和李嫣嫣发生了男欢女爱之事。而此时,山洞里的宝物“墨玉太极”出现,被盗墓的小六(六子 饰)、小七(杨韵然 饰)两人盗走。翌日,冯喜和李嫣嫣醒来,发现双方互换了身体,彼此惊讶不已。而此时,李嫣嫣的师父归元子(颜勤 饰)告诉他们换回身体的方法,那就是找回“墨玉太极”。两个互换了灵魂和身体的人组成搭档开始了找回“墨玉太极”的旅程。殊不知,这一切都是师父归元子的一场阴谋……