方信毕业于江西警察学校,德州电锯梦想是当一名城市守护神“城市猎人”,德州电锯现是一名出租车司机,也是一名上有老下有小的好父亲,为人正直,也是众多的哥们的榜样。一天清早,方信开着出租车在城市中穿梭,忽然他发现车上有乘客遗留的信物。他为了还这位乘客的东西却追到了顺天广场。接下来发生的事情就好像圆了自己的“城市猎人”梦一样.......
方信毕业于江西警察学校,德州电锯梦想是当一名城市守护神“城市猎人”,德州电锯现是一名出租车司机,也是一名上有老下有小的好父亲,为人正直,也是众多的哥们的榜样。一天清早,方信开着出租车在城市中穿梭,忽然他发现车上有乘客遗留的信物。他为了还这位乘客的东西却追到了顺天广场。接下来发生的事情就好像圆了自己的“城市猎人”梦一样.......
回复 :两个好朋友阿加和阿信一同外出旅游,没想到路上“富从天降”,他们捡到一箱美元,一夜之间两人成为百万富翁。面对金钱的诱惑,阿加与阿信对待人生的态度、观念和朋友之间的友情都受到了考验。经过一系列离奇的遭遇,最后才发现,那些钱原来都是假钞票,是犯罪分子勾结境外犯罪团伙偷运入境的。正当阿加和阿信因假币被犯罪分子追杀而疲于奔命之际,公安部门及时侦破了这一犯罪案件,抓获了犯罪分子。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
回复 :夜幕下,年过五旬的妓女阿春(田中绢代 饰)在街头游荡,走进一个寺庙后,她回想起自己坎坷悲惨的前半生。年轻时的阿春是一个贵族家里的女佣。她与下等武士胜之介相恋,二人偷情时被发现。阿春连同她父母被驱逐出城,胜之介则被处死。松平大领主为了继承香火,派人四处选妾。貌美的阿春被选中,做了松平领主的妾侍。很快,她产下一子。松平家族欢天喜地,阿春以为自己就此安定下来。可是原配十分嫉妒阿春,于是松平家族以阿春迷惑领主为由,将她遣返回家。为了偿还债务,阿春的父亲把她卖去妓院。一个出手阔绰的客人看中了阿春,要为她赎身。然而此人是个专门造假币的骗子,随即就被抓走,阿春也被妓院赶走。其后阿春经历了种种波折,她最终走投无路,只好沦落街头。贫病交加之际,她得知自己的儿子当上了领主……