讲述著名犹太知识分子赫尔曼同三名不同的女人（其中也有德国女人）之间的浪漫而又复杂的爱情故事，春暖一个是战争时期保护他的，春暖一个是他以为已经惨死在集中营、但又出现在他生活中的原配，还有一个是他那信仰社会主义并点燃他生活欲望的情妇。美国影评人协会奖最佳女配角奖，美国纽约影评人协会奖最佳导演奖、最佳女配角奖，奥斯卡最佳女配角提名。本片根据诺贝尔文学奖获得者艾萨克·巴辛格的同名小说改编，影片真实再现了二战后的纽约风貌及受过纳粹折磨的犹太人丰富多彩而又特殊的感情生活。三个女主角皆有上佳表演。
健辉
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
陈科妤
回复 :三十八岁的百田滴（松雪泰子饰）是一名外科医师。在结婚十周年的纪念日，滴得知自己怀孕了。十年前，得了乳癌的滴动手术切除了右侧乳房，她虽然想要孩子，但已经放弃了希望。这个出乎意料的好消息让滴和丈夫良介（椎名桔平饰）欣喜万分，夫妻俩沉浸在幸福之中，一天，滴照镜子发现自己的右胸出现了红色的斑点。她到医院做进一步自检，得出了不好的结果，乳癌复发了。炎性乳癌一旦复发就无法痊愈的，滴顿感从天堂跌进了地狱。是放弃治疗生下孩子呢，还是放弃孩子选择治疗呢？如果为了孩子延迟治疗，很可能会失去多活数年的机会，但即使不要孩子及时治疗也终将不久于人世。而且无论做出怎样的选择，自己都无法亲手抚养孩子长大。
七月七组合
回复 :父亲的再婚惹怒了正处在叛逆期的伟一（郭鹏 饰），他搅乱了父亲的婚礼，与此同时，他发现了一张生母和一个陌生男人亲密的合影，他疑自己不是父亲亲生，于是当即踏上西去的火车，寻找照片上的“生父”。不料，后母带来的新妹妹小米（何钦琬 饰）尾随上了车，狠心的伟一中途下车把她甩下。一路上伟一颠沛流离，在一个小镇上发现了流浪街头的小米，这对没有血缘关系的兄妹开始了瞎子摸象般的旅程。他们遇到过云游四方的马戏团，也碰到过吵吵闹闹的药贩子，就这样，他们在旅行中得到过好心人的帮助，也学会了怎么帮助别人，伟一紧闭的心扉慢慢打开。当事情的真相揭开后，伟一瞬间感到自己长大了......
