剧情简介
苹果村书记杨国富为带领村民致富，新辰决定发展有机生态苹果示范园，新辰却遭到村长孟长山等人反对。老杨坚持己见，带领部分村民到处考察学习，寻找投资公司，最终建起了有机生态苹果示范园，并开发了苹果村旅游项目……
新辰之上
苹果村书记杨国富为带领村民致富，新辰决定发展有机生态苹果示范园，新辰却遭到村长孟长山等人反对。老杨坚持己见，带领部分村民到处考察学习，寻找投资公司，最终建起了有机生态苹果示范园，并开发了苹果村旅游项目……
官炜棠
回复 :《真实电影》取材于1973年播出的纪录片剧集《一个美国家庭》(An American Family)，这部剧集讲述了圣芭芭拉的一个普通家庭——劳德一家的故事。正在闹离婚的帕特-劳德与比尔-劳德夫妇是一对典型的美国中产阶级代表，他们共同抚养了四个孩子，其中大儿子兰斯公开宣布自己是同性恋。该片不仅着力反映整个社会对家庭内部矛盾的影响，在当时也鲜有电视作品表现同性恋话题。而《真实电影》则走进了这部剧集的幕后，讲述了电影人克雷格-吉尔伯特如何打造出这部意义深刻的电视纪录片作品。
茜蒂诺哈丽莎
回复 :修女莫妮卡与一群年龄各异的牧师共同住在智利海岸边的一所房子里。在每天祈祷和做忏悔之余，他们训练灵缇犬（Greyhound）参加比赛。到底是什么把他们带到了这里，带到这块潮湿粘稠的微风持续吹拂的世界尽头。有一天，新来了一位牧师，但这位新牧师收到了来自他人的严厉指控。那个指控他的声音越来越响，直到它被一声枪响中断。年轻的牧师选择用自杀的方式来回避指控。上头派来了调查员，但这位调查员是不是真的希望查明事情的真相呢？也许他的出现只是希望继续维持着这里美丽的表象。电影一点一点地将黑暗中的秘密揭示出来，挖掘了这些上帝仆人的过往，并无情地揭示了天主教堂里存在的许多矛盾。导演的剧本做到了教堂本身没有做到的事情，他并不是简单的惩罚一个替罪羊。影片实际上严格遵守了基督教中关于殉难的规则和仪式。
酷玩乐队
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
