剧情简介
陈浩风与纪元是结婚几年的夫妻，视频俩人开办了一间摄影工作室，视频生活倒也相安无事。浩风的发小曾念属当今新新人类，平日里靠女友李晓秋养活，却整天喊着什么独身主义。晓秋与纪元是大学同学，性格与纪元却大相径庭。在一次生日宴会上，晓秋的善解人意与纪元的泼辣率直形成了鲜明对比，浩风对此很是眼羡。工作的分歧让浩风与纪元时常产生磨擦，两人常常相互奚落。对以婚姻为目的晓秋来说，男友曾念的淡漠令她十分伤心......
视频 类别
陈浩风与纪元是结婚几年的夫妻，视频俩人开办了一间摄影工作室，视频生活倒也相安无事。浩风的发小曾念属当今新新人类，平日里靠女友李晓秋养活，却整天喊着什么独身主义。晓秋与纪元是大学同学，性格与纪元却大相径庭。在一次生日宴会上，晓秋的善解人意与纪元的泼辣率直形成了鲜明对比，浩风对此很是眼羡。工作的分歧让浩风与纪元时常产生磨擦，两人常常相互奚落。对以婚姻为目的晓秋来说，男友曾念的淡漠令她十分伤心......
朱子岩
回复 :Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.
徐若萱
回复 :湖北武汉一家全托制寄宿幼儿园，一群天真无邪的可爱孩子在镜头前展现他们最真实的一面。他们会为了对父母的依恋而大声哭闹、会为了和小朋友偶然的争执大打出手、会为了穿不上衣服以及摆不好椅子而脾气大发、也会为了星期四和星期五的先后顺序讨论不休。孩子的心中没有对错，就如同一张等待书写的白纸却又不可避免地被强加了许多来自大人的既定价值观。孩子无所顾忌的言语，似乎也折射出一些不难捉摸的意味……本片2001年5月开始筹拍，经过3、4个月观察和准备于当年9月正式拍摄，历时14个月前期拍摄工作结束，于2004年3月正式完成后期制作，影片荣获第十届上海国际电视节最佳人文纪录片创意奖、2004年广州国际纪录片大会纪录片大奖。
金健武
回复 :晴雯病重，身体非常的孱弱。一天，贾宝玉不小心将贾母送给他的一件非常珍贵的孔雀裘斗篷给少了个洞，不顾病痛的身体，晴雯在深夜里就这微弱的烛火帮贾宝玉缝补斗篷，导致身体更加的虚弱。一天，邢夫人捡到了一个非常低级的香囊，她将香囊交给了王夫人，看到这淫秽不堪的东西，王夫人勃然大怒，她下令家丁们将园子翻了个底朝天，每一个丫鬟的住所都遭到了粗暴的彻查，晴雯的自然也不例外，晴雯受惊又受辱。王家人早就看晴雯不顺眼了，趁着这件事情，他们怂恿王夫人将晴雯从大观园里赶了出去，毫无还手之力的晴雯，等待着她的只有死亡这一悲惨的命运。
