剧情简介
韩国演员赵镇雄和金成钧此次在《我们是兄弟》中饰演一对分别30年之久的兄弟，高潮鬼人语言、高潮鬼人生活习惯、思维方式、宗教信仰都完全不同的两人，但是刚相聚30分钟就把老妈给弄丢了，兄弟俩一起踏上寻母之路，有各种矛盾和搞笑的事情发生。
高潮吧！性鬼人间
韩国演员赵镇雄和金成钧此次在《我们是兄弟》中饰演一对分别30年之久的兄弟，高潮鬼人语言、高潮鬼人生活习惯、思维方式、宗教信仰都完全不同的两人，但是刚相聚30分钟就把老妈给弄丢了，兄弟俩一起踏上寻母之路，有各种矛盾和搞笑的事情发生。
蔡淳佳
回复 :讲述的是两个单纯善良的女孩因想摆脱乡下生活，来到台北参加健美比赛，因在训练中与教练发生争执离开健身房。后来为了生活沦落到在舞厅表演。因而结识了各路人，也找到了各自的意中人。在警歹决战中他们的“大哥”亡命了，而她们依旧得继续走天涯。
闵宽弘
回复 :阿乐（关楚耀 饰）、明明（尤凤音 饰）、朱君（黄俊铭 饰）三个大学生对未来抱着希望，奈何现实生活迫人，毕业后每天为钱烦恼。某个晚上，三人巧遇一宗提款机劫案，事后贼人被捕，而提款机却下落不明。三人决定寻找提款机，以解生活所需，但问题是：提款机竟潜藏在郊区的一所老人院内！他们为了钱，混入老人院之中，展开一场八十后青年与八十岁老人的智力斗争！最终，两代人打破隔膜，发现人生除了钱，原来还有更重要的事。
魏佳庆
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
