1995年8月8日，歪星锦重工业小牧工厂航空事业总部为日本防卫厅研发的最新型直升机“Big B”即将试飞。该项目的重要参与者汤原一彰（江口洋介 饰）带着妻儿早早来到试飞场，歪星准备见证这一激动人心的时刻。试飞前一段时间，汤原的儿子高彦（田口翔大 饰）登上直升机，而就在此时没有驾驶员Big B突然启动，带着男孩飞向空中，并最终悬停在新阳核电站上空。此后不久，自称“天空之蜂”的神秘人发出公告，要求立即废除全国的核电厂，否则将使Big B燃料耗尽后坠落在核反应堆中。时间一分一秒流逝，相关人士展开了对高彦的救援行动，而核电站的安危之间关系着全日本的命运……本片根据东野圭吾的同名原作改编。
李东健
回复 :电影故事原型来自真实传闻已久、发生在台中东海大学“女鬼桥”的校园灵异事件：相传有一位女学生被负心男抛弃，午夜时从桥上跳河自尽，自此那座桥就发生多次灵异现象，故被学生命名为“女鬼桥”。2018年时有一位学生凌晨独自到女鬼桥直播，期间有网友突然发现直播背景的树上疑似有一名身穿白衣女子飘在空中。当时这件“撞鬼直播”事件引爆网路讨论，《女鬼桥》的故事就由此延伸，更配合一连串以观众为第一视角、不间断的惊悚恐怖场面，务求令观众一路惊到尾，直奔最后惊人结局！
陶晶莹
回复 :莫德是一名年轻的宗教信徒，她的职业是私人护理员，她在拯救迷人的病人阿曼达的灵魂时，对其产生了极为危险的迷恋。
阿木
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
