宋伊
宋伊
回复 :钦奈市生活在对变态杀手的恐惧之中。在阿琼和安德鲁加入之前,人们对警察的信心逐渐减弱。有着黑暗过去的阿琼揭开了凶手的真相。他们逮捕了他,但他逃脱了,混乱随之而来。当阿琼失去安德鲁和他的爱人时,他陷入黑暗,然后开始消灭凶手。— Donmax777
回复 :“君临天下”好评如潮,亚视成盛追击,推出“君临天下”之延续篇“血溅太和殿”,故事将雍正窜改遗诏得帝位、杀戮功臣的历史搬上荧幕,剧情紧凑刺激、气氛悲壮感人。一部万众瞩目的历史武侠剧钜献,观众不容错过。
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.