本片讲述的是一部当人的内心欲望到达极至并自食其果的心理惊悚片，关于高妹片中小颖的妈妈在一个富人家当保姆，关于高妹一做就是几十年，而小颖在这样的环境中成长，妈妈很爱她，但她依然觉得经历着各种从小不公平的对待，女主人公若梅出生在一个富贵人家，生来任性，因为和成志的爱情与父母闹翻，情绪无法控制，由于车祸导致父母双亡。不想，她的财产和爱人被其保姆的女儿小颖觊觎，随着若梅接连意外的发生，小颖发现从小受到的不公平的待遇，好像在这样的契机下就可以将若梅取而代之。这个贪心的姑娘整容医生的帮助下变成了富家女若梅的模样，并想尽一切办法夺走若梅的一切，妄图鸠占鹊巢。就在她以为得逞的时候，方才明白，换成别人的脸并无法替换她人的心灵
黄小桢
回复 :After being busted for drug possession, Aiden, a troubled Teenager is forced by the cops to go undercover and risk his life to bring down a dangerous drug king pin.
骅梓
回复 :There is no way to write a "spoiler"---is there actually somebody somewhere who, ten minutes into this 1950's film, wouldn't know where it is going and will end up---since it is a strictly written-by-the-numbers corruption and redemption meller that finds: number 1, a doctor returns from the Korean War to his Pennsylvania mining hometown, (and 2) must choose between dedicating himself to treating the suffering poor (or 3) build himself a swank office and get rich by flattering wealthy women with imaginary ailments. Throw in elements no. 5,Lizabeth Scott as a rich, spoiled, twice-divorced woman with a lip stiffer than his, and number 6, Dianne Foster as a nurse bent on helping all mankind, and there are no surprises left, especially if one take note of the name of Irving Wallace among the writers, the title and Scott billed above Foster. The only surprise here is that this film wasn't from Universal-International and directed by Douglas Sirk.
许晋豪
回复 :摄影师増岡（塚本晋也 饰）性格压抑，对人类的恐惧有浓厚的兴趣。一日他凑巧拍下了陌生男子阿礼在地铁刺瞎自己的右眼，増岡反复研究录像，并为实地考察阿礼自残的原因回到现场，他从地铁的设备管道深入地下，惊见已经泯灭的地下文明遗址，并带回一名被锁在遗迹中的赤裸女子。増岡称女子为“F”，自此他和F同居一室，并每天工作时借视频手机观察F的举动，F不吃不喝，生命逐渐垂危。増岡偶然发现F吸食血液，于是割伤自己为其续命，不久増岡即发展到杀害陌生女人取血的地步。但F在人类世界难以生存，逐渐麻木的増岡在同F的关系中体味到了真正的恐惧……本片获2005年布鲁塞尔国际幻想电影节金乌鸦奖。
