深入黑熊的家 寻找山的灵魂。每年10月过后，国产野生的台湾黑熊陆续从各个山区，国产前往八通关日本越岭古道上的大分，享受一年一次丰盛的青刚栎果实飨宴；而长期研究台湾黑熊的黄美秀团队，必须在2个月前就先翻山越岭进驻山区、并架设陷阱，等着和野性十足的台湾黑熊面对面、展开最近距离的接触。麦觉明导演跟着黄美秀团队跋涉山水，漫长的等待后，黑熊一旦出现，就必须与时间赛跑，用最短的时间完成捕捉系放的研究过程。甚至要照养在南安发现的迷途小熊，这一切都是为了让濒危的台湾黑熊，能够在原本就属于它们的山林家里过得更安全、自在，并且生生不息……
克雷艾肯
回复 :善良温厚的销售员埃利奥·布兰德（马克·韦伯 Mark Webber 饰）与黑人女孩谢尔比（卢蒂娜·卫斯理 Rutina Wesley 饰）相知相恋，二人筹划走入婚姻殿堂，同时即将迎来新生命的降临，此外他还要照顾年迈的父亲和低智的弟弟麦克（德文·格拉耶 Devon Graye 饰），原本财务吃紧的他又面临着被裁员的命运，这残酷的现状令他烦恼之际。就在某个夜晚，一通奇怪的电话打了进来，对方似乎了解埃利奥的一切，而且无比诚挚地邀请他参加名为“千种之星”的挑战，只要他能成功闯过13道难关，就有机会赢得高达620万美元的奖金。埃利奥将信将疑尝试了手抓苍蝇和吃苍蝇的两项挑战，谁知随后竟真的有两笔钱先后入账。然而随着奖金逐渐升级，挑战的难度也越来越大，回过神来的埃利奥已经无法抽身……
大鹏
回复 :薇薇安（艾玛·汤普森 Emma Thompson 饰）是一位学识渊博的博士，让年轻的她没有想到的是，上帝竟然给对生活和学术充满了热情的自己开了一个天大的玩笑，经过医生的确证，她患上了卵巢癌，病情已经发展到了末期，几乎没有治愈的可能。从悲伤、抗拒到最后的接受，薇薇安的内心犹如踏过了千山万水。尽管康复的希望渺茫，但她还是积极地接受了可能令她形销骨立的化疗治疗。在身体逐渐枯萎，头发接连落光的过程中，这位睿智的女性也不忘对自己的前半生进行捉摸和思考，她在有限的生命中看到了无限，最终调整好了心态，以平静之姿态，面对必然到来之死亡。
马天宇
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
