料理静玉是一个幼稚园教师,为人纯良和善而且充满爱心,但可惜却遇一件事,令她平淡的生活产生极大的变化,原来某日Siti看到一个杀手李复似行凶经过,最奇怪的是见到李复杀人后伤心流泪的样子,深深打动了静玉内心. Siti报案时认识了年青探员李复, Mark一直追查这个杀手下落,而且誓要将李复捉获,因此李复常常暗中跟踪静玉,因为他知道李复一定会向静玉下手,便欲趁那机会将李复捕捉.李复终于下手,在一次幼稚园放学之时要暗杀静玉,途中Mark出现勇救了静玉,李复慌忙逃走,取驾驶的汽车险撞向小孩身上,静玉奋不顾身扑出救了小孩,自己亦受了伤,李复因而逃走. Mark将静玉送往医院,静玉很不满Mark利用自己作鱼饵来引诱李复,对他十分不谅, Mark几番道歉亦令静玉回心转意,因此一役Mark对静玉发生了感情,并保证不会再用静玉作饵引李复上当,但私下里Mark仍为追捕李复而努力.李复虽然未能得手,但绝未放弃,又设下另一次行动,在静玉家中将其行刺,但李复想不到Mark早己布下天罗地网要把他捉拿,两人展开决斗.
卫兰
回复 :Donny Drucker's 1998 Bar Mitzvah VHS Tape.
龚诗嘉
回复 :三百年前，邪恶的奥茨星球研制出数以千计的异能生物体，它们被锁在黑洞之中。意外的颠簸，令时间墙破裂，它们逃往地球。时过境迁，它们中的一部分被人类同化，与人类和平共处。但另一部分却是危险分子，是人类之外的异类……男主人公蓝爵（高瀚宇 饰）是地球与外星异类的混血儿，和寄生于他体内的异种生物玉笙（维妮 饰）以及人类女孩苏菲（赵婉婷 饰），破解地球遇见的种种外星疑案的故事。《异类之行走的古堡》讲述的是一个神经质的女人被噩梦缠身，并在梦中捡到一枚神奇的戒指，蓝爵三人接下这个案件，并依靠格古拉星穿越回二十年前，寻找戒指的主人和噩梦中的恶魔......
赵雨航
回复 :Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
