二战结束，巴法格蕾丝(尼科尔•基德曼)在英伦的小岛上独自抚养着一对儿女，巴法耐心等待着丈夫从战场归来。儿女怕光，受到光照会发病，因此家里的窗帘常年拉得严严实实。就在这样一间阴暗的古宅里，格蕾丝迎来了三个新仆人。这三个人到来之后，却让格蕾丝寒了心——窗帘经常被拉开，门无故打开，钢琴自动发声，而她的女儿说，在房间里经常可以见到陌生男人。格蕾丝陷入了精神紧张的状态，她不明白怪事为何屡屡发生，不明白丈夫为何迟迟未归。而她最后才醒悟，所有的惊恐，其实都来源自身，但是事情已经不可逆转……
迷路兵
回复 :最近城里的屡屡发生珠宝劫案，警察们都束手无策。因为贼人的手法和以前闻名的大盗“黑猫”约翰（加里•格兰特 Cary Grant 饰）如出一辙，警察们找上了正在乡间别墅过着悠闲生活的约翰。约翰当然不会轻易就范，他摆脱了警察之后，开始调查到底是谁用他的手法屡屡作案。毫无头绪的约翰找到了以前的战友巴先生，却被巴先生餐馆里的人视作不速之客。幸好在侍者孚的女儿的帮助下，约翰来到了嘎纳海滩。在保险公司经理的帮助下，约翰展开了他的抓贼行动。
卡卡
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.
大桥卓弥
回复 :有名な高田の馬場の決闘、伯父の助太刀に向う中村安兵衛とすれ違った旗本丹下典膳は安兵衛の襷がほどけているのに気づき、注意しようと決闘の場に向う。しかし、相手が同門の知心流の武士であることを知り、その場を立ち去った。だが、後日同士を見捨てたことをとがめられた典膳は知心流を破門される。一方決闘で名を上げた安兵衛はあちこちから任官の誘いがあるが、安兵衛の想いは上杉家の娘千春にあった…「忠臣蔵」のサイドストーリーとして書かれた五味康祐の小説の映画化。有名な高田の馬場の決闘と四十七士の討ち入りのあいだの中村安兵衛を描くという面白い作品。同時に徹底的にメロドラマでもあり、時代劇の面白さをすべて詰め込んだという感じ。
