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地区:大陆
  类型:感动
  时间:2025-04-04 08:36:26
剧情简介

《雕像也会死亡》(Les statues meurent aussi,人活阿兰·雷乃、人活克里斯·马尔凯,1953年出品,27分钟)尖锐地批评了西方殖民主义对非洲传统艺术的戕害以及自称热爱非洲艺术的上等阶层的贪婪与伪善。本片的主角是来自黑非洲的人物雕像、面具和其他非洲艺术品,但是它们的演出场所并非黑人的故乡,而是白人的欧洲,艺术品市场和艺术品拍卖会是它们频频出没和滞留的中转地。这些本来被非洲部族用来抵抗死亡的面具和雕像,如今却呆在博物馆的橱窗里静静地死去。此时,画外音告诉我们:“当人死去的时候,他便进入了历史;当这些雕像死去的时候,它们进入了艺术;这种关于死亡的学问,我们最后称之为文化。”由于本片具有鲜明而强烈的社会批判意识,自拍竣之日起即遭到法国政府禁映,直到1963年才解禁。本片由长于剪辑的阿兰·雷乃操刀剪辑,由强于写作的克里斯·马尔凯撰写解说,充分发挥了两人各自的强项,可谓强强合作的结晶。This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

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明星主演
赵之璧
慕容晓晓
洪玮
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艾莉婕

发表于2分钟前

回复 :大唐盛世,万国来朝,唐朝皇帝举办万邦蹴鞠大赛以示国力昌盛,此时喧闹的长安城里,龙门客栈的一众人物又开始了忙碌的一天:老板娘铁掌柜(黄奕 饰)借蹴鞠大赛克扣员工薪水,爱财的劳保安(孙兴 饰)在停马场中饱私囊,仗义行侠的芙蓉姐(应采儿 饰)再惹祸端,客栈伙计白砂糖(邱胜翊 饰)盲打误撞参加盗圣大冲关比赛,并从盗圣孙午饭(何炅 饰)手中夺得盗圣牌。另一边,皇帝答应了西方来客的请求,派出马拉松冠军向被魔物掌控的国家送去圣火。仰慕唐僧的唐三句(徐铮 饰)此时正苦于找不到搭档一起重走西天取经路,这时,因失去盗圣牌而短暂失忆的孙午饭、渴望成为舞蹈家的龙门客栈服务员朱八姐(谢娜 饰)先后与唐三句结识,三个痛苦的人决定同去西方解决自己的问题。而一场龙门客栈的大火,令送圣火的任务,还有龙门客栈众人都加入了这次西行……


河村隆一

发表于8分钟前

回复 :苏真同父异母的姐姐苏倩死在自家浴缸里,是自杀还是他杀?因喜欢苏真而不能面对这份感情的苏倩有男友刑警子聪,出现场后与苏真再次见面。此时苏真已有一位男友,外资公司的一位投资人董玉峰。随着案情侦破的递进,真正的凶手居然是董玉峰。


唐峻洋

发表于5分钟前

回复 :1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).


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