李献计（房祖名 饰）跟女友王倩（王子文 饰）分手之后，亚洲衣难以接受这个惨痛的现实，亚洲衣以至于重新回到了差时症的怪圈之中。他穿梭在自己的时空里，回忆着童年上学看课外书被老师罚站，对于父亲（姜武 饰）严厉批评的心不在焉，对于二叔（姚鲁 饰）精通电子维修的向往，对于视频游戏的痴迷，对于公司同事的冷漠厌恶，当然，还有对于他和女友恋爱的每个细节。他并不希望治愈差时症，因为他还对回到过去抱有幻想，甚至不惜卖肾、打造金属手臂来完成打通游戏的梦想，但是现实的残酷，却将他卷入了警察（白凯南 饰）、警察小殷（李响 饰）、马神医（范明 饰）、日本骗子（矢野浩二 饰）等各色人物的圈套之中……本片根据李阳2009年创作的著名网络动漫视频改编。
陈艺祯
回复 :张嘉乐（吴文超 饰）是衔着金汤匙出生的千金大少爷，从小就过着养尊处优的生活，没有受过一丁点的苦。在国外深造的他回到了家乡，却因为和父亲对于未来的理念不同，父子两人之间经常爆发激烈的争吵。糟糕的亲子关系让张嘉乐逐渐放弃了梦想，一天比一天消沉，对此一筹莫展的父亲决定将儿子送往偏远的山区小学支教，希望他能够借此机会重新找回生命的意义。就这样，张嘉乐从车水马龙应有尽有的大城市来到了偏僻贫穷的山区，在这里，他结识了名叫小玉莲（严丹彤 饰）的小姑娘，小玉莲所吟唱的山歌让张嘉乐重新想起，究竟什么才是他生命中最重要的东西。
李子晗
回复 :故事发生在明朝某年。阙里侯（潘长江 饰）是个富家少爷，整日沾花惹草、为非作歹。这日，他正调戏一名美貌孕妇，被路遇的张果老救下。张媒婆（黄素影 饰）贪恋阙家银两，把邹家小姐（魏一 饰）说给阙少爷，正当阙里侯內心正美时，他头上突然长出了两支长长的驴耳，吓坏了邹小姐，阙里侯欲行不轨之事，被家丁误打，差点丟了小命。几天后，他又看上邻庄李小姐（谢栩 饰），当被骗进阙府的李小姐看到长着驴耳的阙里侯，一气之下削发为尼。恼羞成怒的阙里侯决定娶一丑女为妻，气气邹小姐和李小姐，不料迎亲时抬错花轿，把一位洋新娘（古丽扎尔 饰）娶到家中，结果新娘恶心阙里侯的德行，也投向佛门.....
杜德伟
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
