乡村爱情13
地区:印度
  类型:犯罪
  时间:2025-04-03 15:05:46
剧情简介

乡村Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

8931次播放
1775人已点赞
7299人已收藏
明星主演
Ҷʢ
林志斌
何欣穗
最新评论(714+)

叶俊岑

发表于3分钟前

回复 :一对新婚夫妻昌与燕,他们参加旅行团到美国渡蜜月,二人非常恩爱,到处游玩,正享受着美国的阳光。而另一面在码头的阴暗处,一群中国偷渡来的人蛇正刚到达美国,而莉是其中一个来到寻找黄金梦的女孩,她们被安排到一小屋内,等待着亲友们接回,但蛇头早已把年轻貌美的少女留下,还假装找不到她们的亲友。莉是其中之一,余下的人蛇,被威迫利诱,作娼妓偿还偷渡的尾数。


名师三强

发表于9分钟前

回复 :此片为李丽珍首部出演的三级片,有上身的裸露镜头。片子讲述广告明星珍妹正值当红,追求者无数,其中以其所在广告公司老板最得其欢心。可是,往事的种种使她始终无法释怀:过去曾与前男友同居并怀孕,最后不幸流产。


张中立

发表于7分钟前

回复 :舞台剧艺人十郎兵卫(真田广之 饰)在一次演出事故中弄伤脚踝,被迫离开舞台,加入街头浪人剧团。期间他遇见艺妓花里(叶月里绪菜 饰),然碍于身份始终无法靠近,潦倒之时作画打发时光。江户大出版社耕书堂的老板茑屋重三郎(フランキー堺 饰)因幕府的“宽政改革”被没收半数财产,解禁后其亲手培养的浮世绘名家喜多川歌磨(佐野史郎 饰)也另谋高就。偶然机会茑屋看到十郎兵卫的画,大喜过望,将其招至麾下,以“东洲斋写乐”的名字集中出版他的作品。写乐怪异的画风起先受到民众的嘲笑,但渐渐为普罗大众所接受和追捧,歌磨的地位受到威胁……本片获日本电影旬报年度日本片第五名和最佳男主角。[背景]写乐于1794年5月正式出道,次年1月销声匿迹,10个月内共发表一百四十多件作品。创作速度之快,风格数次变化,为当时浮世绘艺术家所不能。随着茑屋重三郎的去世,写乐的真实身份也成为一个永远解不开的谜。


猜你喜欢
乡村爱情13
热度
36
点赞

友情链接: