一名男子不滿一樁冤獄案件的發生,久久久无私自綁架審判該案的法官,久久久无將其囚禁於地下室,並錄影開直播,公開質疑其判決有誤,要求社會大眾對其進行公審並投票,然而最終的結果,會因此撼動程序正義嗎?
一名男子不滿一樁冤獄案件的發生,久久久无私自綁架審判該案的法官,久久久无將其囚禁於地下室,並錄影開直播,公開質疑其判決有誤,要求社會大眾對其進行公審並投票,然而最終的結果,會因此撼動程序正義嗎?
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
回复 :本片是由谷峰的经典电影,于1999年上映。
回复 :中国维和警察简桀,在一次行动中将某地祁灵会首领巴茨抓捕,并接到特殊任务押送至法庭受审。一路经历无数次正面交锋,简桀始终保持中国警察的睿智和魄力,却不料一步步深陷巴茨设下的圈套。简桀能否突出重围,将巴茨绳之以法?