剧情简介
感应时速之暴走飞车是部围绕都市赛车展开的惊心飙车系列网络大电影，山海片中以主角南一和小马在飙车期间受到反派老大熊哥暗算最终导致兄弟反目，山海激烈争斗为主线，通过男主角南一从开始桀骜不驯、到背井离乡低调内敛，直到最后挽救兄弟和爱人，肩负责任与反派老大对抗，展开了跌宕起伏的争斗与选择的故事。
山海情
感应时速之暴走飞车是部围绕都市赛车展开的惊心飙车系列网络大电影，山海片中以主角南一和小马在飙车期间受到反派老大熊哥暗算最终导致兄弟反目，山海激烈争斗为主线，通过男主角南一从开始桀骜不驯、到背井离乡低调内敛，直到最后挽救兄弟和爱人，肩负责任与反派老大对抗，展开了跌宕起伏的争斗与选择的故事。
白建良
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
翁立友
回复 :美国大选幕后的烧钱和政治家的智慧，1994年奥斯卡最佳纪录长片提名。
钟欣桐
回复 :有些奇怪的事情一直存在，你以为是巧合，或编个理由让它合理，其实，是因为你们不想承认……季末（春夏饰）从小就因为能看见“怪物”而被视作异类，直到有一天她在工作的超市再次看到“ 怪物” 并神奇的邂逅了“怪物猎人”——猛哥（余文乐饰），她才发现原来世界上真的有“怪物”存在，两个年轻人由此卷入了一场新的风波。
