沙滩仔（梁朝伟 饰）和周师奶（吴孟达 饰）是警局里的一对好拍档，综合两人不仅工作默契，综合而且私底下是一对十分要好的难兄难弟。沙滩仔性格火爆、而周师奶则为人世故，两人性格正好互补。一次在调查中，沙滩仔邂逅了少女阿玉（吴倩莲 饰），便疯狂的爱上了她。新调来的上司李南表面上是一个正直的警察，其实暗地里一直靠黑帮生意挣钱、为人心狠手辣，他也爱上了阿玉，并顺利夺取了她的欢心。一次李南策划了一起黑市黄金交易，不止自己挣钱，更企图嫁祸于沙滩仔。沙滩仔最终命运如何？
深紫乐队
回复 :影片故事讲述一个变态杀人狂（朱智勋 饰）藏匿了7起杀人案，他将和调查这些案件的刑警（金允石 饰）展开正面交锋。
李延亮
回复 :Sur un mur de mon quartier, on a tagué Le premier qui tombe amoureux a perdu.C'est vrai. Parce qu’après, tout le monde parle sur toi et t’es à la merci.J’ai perdu. Je suis amoureuse d’une fille, je ne sais pas quoi faire…
红蓝铅笔
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
