黑盒
发表于7分钟前
回复
:《血滴子》由陈可辛监制、刘伟强执导,取景地包括山西、北京、杭州等地。雍正(刘伟强 饰)在位期间创立杀手组织——血滴子,专执行朝廷秘令,缉杀异己,其暗器专取人首级。在统帅龚额(王羽 饰)指挥下,队长冷(阮经天 饰)率领陈泰(蒲巴甲 饰)、胡图(高天 饰)、穆森(李宇春 饰)、十三(井柏然 饰)、布喀(周一围 饰)等人配合默契从未失手。边境处,天狼(黄晓明 饰)建立牧人帮多次密谋反清,声势日渐壮大深得民心,乾隆(文章 饰)授命血滴子将其擒杀。众人成功擒拿天狼,却在通往刑场的路上遭遇牧人帮埋伏。危急关头,穆森被天狼胁持,而血滴子也生擒了天狼的部下白兰(李梦 饰)。成功脱身的天狼正逃去根据地武关镇,龚额命众人必须取下天狼首级。而另一边,乾隆早希望以火枪、火炮等火器取代冷兵器,任命大内密探海都(余文乐 饰)一路随行,借机将血滴子赶尽杀绝。这一次,双方处境岌岌可危......
余翠芝
发表于9分钟前
回复
:"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.