英国ITV开始根据英国女作家Val McDermid的破案小说Dr.Tony Hill中的故事"Mermaids Singing"和"Shadows Rising"改编的英国悬疑破案剧集。之后又由其他人续写，国产后来在第四季度第二集"Torment"又改编自Val McDermid的Dr.Tony Hill中的故事"The Torment of Others"。Dr. Tony Hill 这个角色是个大学里面的法庭心理学家，国产他一起与一位非常干练的女刑事探员Carol Jordan 合作破了一个又一个非常棘手的悬疑案件！
邓丽欣
回复 :富二代kin（son 饰）,是一家连锁酒店的总裁-冷酷无情而且性情骄纵。一次‘意外’让他碰到了小珠（vill 饰），一个看上去眼里只有钱的拜金女。因为这次‘意外’，Kin（son 饰）失去了记忆，个性有了一百八十度的大转变，不知不觉中对小珠（vill 饰）产生情愫。就在两情相悦时，kin（son 饰）的家人找来，并且还有深爱他的未婚妻。一些事情过后，kin（son 饰）原来的记忆渐渐恢复了，但却忘记了与小珠（vill 饰）的点点滴滴，回到自己原本的生活中去了。小珠（vill 饰）想尽一切办法为爱而战，但kin（son 饰）却认为她是个撒谎的拜金女。kin（son 饰）会记起对小珠（vill 饰）的爱吗？他又会选择谁呢？谁又是造成这一系列‘意外’的人呢？
许怀欣
回复 :幼清：我还以为你爸会甩一打票子过来叫我离开你 总裁：小财迷，我的就是你的
刘沁
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
