上世纪90年代初,男人东南沿海小城——福城,男人一群在时代列车上追赶青春的少年,他们热烈而莽撞,肆意的野蛮生长。在寻找星辰大海中完成“平凡又不平凡”的蜕变,在青春最香甜灿烂的年代,努力迎向属于他们的光辉岁月,收获了成长与爱情。
上世纪90年代初,男人东南沿海小城——福城,男人一群在时代列车上追赶青春的少年,他们热烈而莽撞,肆意的野蛮生长。在寻找星辰大海中完成“平凡又不平凡”的蜕变,在青春最香甜灿烂的年代,努力迎向属于他们的光辉岁月,收获了成长与爱情。
回复 :韩东洙(李东健 饰)和朴启泰(金圣洙 饰)都是从小就失去了父母的孤儿,两人住进了同一家孤儿院,一同玩耍,一同长大,彼此之间结下了坚实的友谊。韩东洙生病了,朴启泰为了救他依然捐出了自己的一个肾脏,此事件后,患难与共的两人更是产生了深深的羁绊。某日,韩东洙和朴启泰的身边出现了一位名为知秀(金荷娜 饰)少女,三人很快就熟络了起来,两个血气方刚的少年发誓要永远在一起,保护知秀。知秀的乐器掉进了河里,韩东洙义无反顾的跳入水中帮知秀寻找乐器,却再也没有浮出水面,知秀和朴启泰悲伤的认为韩东洙已经死了。然而,一对日本夫妇救了韩东洙一命,并将他收为养子带回日本。
回复 :日本“中央TV”电视台附近,一家名叫“曼哈顿”的咖啡馆。店长(松冈昌宏饰)是位对咖啡异常执着和钟爱的男人,外表沉默内心如火。他用心地为客人调制每一杯咖啡,然而光顾曼哈顿咖啡馆的客人却很少会仔细品味他的咖啡。这些形形色色的客人来咖啡馆的目的不尽相同,却都借着曼哈顿咖啡馆来休息或聊天,找一处安静又私密的空间。因为地处电视台附近的缘故,电视台的人常会打扰这家小店的宁静。他们有编剧千仓真纪(森下爱子饰)、配音员土井垣智(松尾铃木饰)、播报员江本诗织(酒井若菜饰)等等。各式各样行业的客人进出着曼哈顿咖啡馆,而每位客人都有着属于他们自己的故事。由日本著名编剧宫藤官九郎编剧的11集电视剧《曼哈顿爱情故事》,荣获2004年“第39回日剧学院赏”最佳作品、最佳导演、最佳编剧在内的八项大奖。
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.