剧情简介
影片围绕一组生活在黑暗中的问题儿童展开，囧途他们都被一只叫做拉比的会说话的神秘黑狗所指引，囧途坠入不同时空的人间炼狱。在一个月食的夜晚，拉比告诉汤米他母亲腹中的是一个魔鬼胎儿。另一边厢，他又试图帮助脸上长有畸形连体双胞胎哥哥的面具男孩拉尔夫追求一个邻家女孩苏菲，拉尔夫心中的女神苏菲在家里却被父亲强迫进行有颜色的录像带交易。而在一个废弃的教堂里，一个专门窃取别人记忆的怪人正在受无限循环地狱的折磨。。。
囧途夺宝
影片围绕一组生活在黑暗中的问题儿童展开，囧途他们都被一只叫做拉比的会说话的神秘黑狗所指引，囧途坠入不同时空的人间炼狱。在一个月食的夜晚，拉比告诉汤米他母亲腹中的是一个魔鬼胎儿。另一边厢，他又试图帮助脸上长有畸形连体双胞胎哥哥的面具男孩拉尔夫追求一个邻家女孩苏菲，拉尔夫心中的女神苏菲在家里却被父亲强迫进行有颜色的录像带交易。而在一个废弃的教堂里，一个专门窃取别人记忆的怪人正在受无限循环地狱的折磨。。。
玺恩
回复 :美国人约翰-诺德利John Nordley是阿罗哈号The Aloha的船长，这是一艘停泊在英国贝茅斯港的帆船，他在这艘船上生活并进行私人包租。他经常违反英国法律，把船开到他的清单上没有列出的其他国家。有一天，客户安塞姆先生Mr. Anselm找上门，要求在不列颠群岛的东边航行一周，但他一上船就要求航行到荷兰的Maasvlakte，并向诺德利保证不会有任何非法行为。但这个请求直接把他自己和诺德利带入深渊，以至于引来几路人马要获得诺德利与安塞姆的秘密，大家都在刻意接近诺德利，他必须决定谁可以信任，谁不能信任。
潘云峰
回复 :富有正义感的民间侦探秦蟒受人所托暗自查询舞女被杀案，却被人利用卷入巨大的圈套中，最终排除万难阻止了恶人的阴谋，拯救了百姓。
近畿小子
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
