铁甲Police baffled by the FACELESS KILLER!A faceless dummy of a serial killer haunts a police department in this atmospheric noir thriller from Fleischer. The dummy is created to represent an elusive strangler who calls himself 'The Judge' and whom the frustrated detective Harry Grant attempts to reconstruct from a handful of clues, such as body size and suit fabric. Sure enough, as the dummy becomes more real, reason and sound judgement encounter the uncanny.
金度完
回复 :恐怖电影“来自坟墓下面” 由4个故事组成，当顾客从一家古董店买古董时，他们得到的不单是古董。一个人买了一面镜子，他被鬼魂骚扰，迫使他自杀，这样它就可以重生。一位疲倦的丈夫买了一枚旧的战争奖章，因此遇上一名神秘的前度军人和他女儿，她们帮助他杀死妻子。一个人在火车上遇见个陌生人，他告诉他的肩膀上有鬼魂…他征募一个妇女来驱魔。最后一个人买了一扇很大的古老门，它让他回到查尔斯一世的时代。
乔乔
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
张芷榕
回复 :Two detectives seek a stripper's killer in the Japanese quarter of Los Angeles, but a love triangle threatens their friendship.
