蒋十三早年丧妻，西野翔视妻子去世后一直和女儿蒋小渔的关系相处的不融洽。打生活能自理后，西野翔视蒋小渔便搬离了蒋十三的老厂区房，就这样蒋十三邋里邋遢、糊里糊涂的过了半辈子。像他这样既不优秀又不勤快的人，在这老厂区里确是老街坊们的开心果子，大家伙都爱和蒋十三闲聊和打牌，因为他为人耿直、善良、对朋友又大方。认识了离异后的张云茜，两人的关系是日渐亲蜜。而蒋十三觉得亏欠张云茜，打算在自家的房本上填上张云茜的名字，也算对得起她这么些年给自己无微不至的照顾和关爱。但要实现这个承诺，他就必须先找到失联几年的女儿蒋小渔，想办法修复父女关系，才能如愿在房本上填上张云茜的名。于是蒋十三开始了一段十分艰辛的感情修补之路，这也是他此生必须完成的任务，不但要做一个好丈夫，还要重新再做回好父亲，来填补对女儿的愧疚。
郑日英
回复 :前飞行员Ted Striker （罗伯特·海斯 Robert Hays 饰）在一场战争中有了心理阴影，对飞行有恐惧。他的女友Elaine Dickinson （朱丽·哈基提 Julie Hagerty饰）却是个空姐。这天，Elaine跟Ted提出了分手，之后便上飞机上班 去了。Ted为了挽回女友的心，也费尽心思上了飞机。然而，飞机上发生了无数令人啼笑皆非的事情。先是乘客们相继发生食物中毒，连机长也不能幸免于难。无奈之下，唯一有驾驶飞机经历的Ted只能和女友一起坐在驾驶舱操纵飞机。他打开了自动驾驶，飞机能够自行运转，但无法正常降落。于是一场惊心动魄的迫降之旅开始了，而Ted是否能重新赢回女友的心呢？本片各种无厘头桥段让人捧腹大笑，成为好莱坞经典喜剧。
孙烨
回复 :故事描述清雍正为了巩固其统治地位，组织了暗杀集团“血滴子”，以作杀害异己之工具。时有侍卫统领韩天德，因无意间发现雍正乃血滴子幕后主使而招致全家灭门，唯独其妻容秋燕（陈萍饰）因事外出，幸免于难，事后发现乃“血滴子”统领金罡风（罗烈饰）所为，后其独闯金府行刺，试图为全家报仇，但功亏一篑被迫逃亡，金调集人手穷追不舍。途中遇师兄王俊（岳华饰），不料王乃金私生子，多次下手害容，最后被容杀死。后得到前“血滴子”成员马腾（徐少强饰）相助，排除万难，终将金杀死，为夫报仇。
涅磐
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
