Antonio 跟 Paolo 同居於柏林,综合生活美滿,综合兩人決定結束愛情長跑,結婚共渡餘生,不過他們其中一個還未向親友出櫃、另一個則跟媽媽再沒往來。為了得到家人的祝福,他們只好飛返意大利家鄉宣告婚事,同行的還有他們的喪爆房東和室友。一趟意大利旅程,引發軒然大波!七國咁亂,難關重重,要怎樣才能成就百年好合的幸福終局?改編自2003年首演的外百老匯同名音樂劇,浪漫惹笑,勇奪意大利票房佳績,笑爆戲院,叫好叫座。
Antonio 跟 Paolo 同居於柏林,综合生活美滿,综合兩人決定結束愛情長跑,結婚共渡餘生,不過他們其中一個還未向親友出櫃、另一個則跟媽媽再沒往來。為了得到家人的祝福,他們只好飛返意大利家鄉宣告婚事,同行的還有他們的喪爆房東和室友。一趟意大利旅程,引發軒然大波!七國咁亂,難關重重,要怎樣才能成就百年好合的幸福終局?改編自2003年首演的外百老匯同名音樂劇,浪漫惹笑,勇奪意大利票房佳績,笑爆戲院,叫好叫座。
回复 :中文名烟花泪制片地区中国大陆导 演谢添编 剧杜波,赵乙,张峰,李安华,谢添类 型戏曲片主 演任跟心,雷俊生,薛晓鸣,郭泽民,崔彩彩片 长89分钟上映时间1988年对白语言蒲剧蒲剧戏曲片《烟花泪》由谢添执导,任跟心、雷俊生等主演,1988年上映。电影讲述,宋朝年间,桂英为葬父而卖身,落入烟花成为名妓。一天,桂英在雪地里救了书生王魁并结为夫妻。桂英全力支持王魁读书。在赴京赶考前,两人在海神庙发誓互不负心。怎知一年后,高中的王魁差人送来一纸休书。桂英来到海神庙,恳求海神主持公道。桂英产生幻觉,觉得自己变成了鬼,判官准她去捉拿王魁。王魁先是巧言哄骗,后来竟恶毒的羞辱桂英,更要将桂英刺死,这时,小鬼将王魁拿下。然而,这只是一场梦,醒来一切如故。根据蒲剧《打神告庙》、《情探》改编。宋朝年间,美丽、善良的敫桂英为葬父而卖身,落入烟花成为名妓。一天,桂英去海神庙进香,在雪地中救出一个名叫王魁的破落书生并与之结为夫妻,每日悉心照料,全力帮助他攻读书文。在王魁赴京赶考前,夫妻二人专程来到海神庙,在海神庙前盟誓,互不负心。从此,敫桂英日盼夜想地等待着丈夫的音讯。可她万万没想到,一年之后自己等来的竟是高中状元的王魁差人送来的一纸休书。桂英悲愤欲绝,奔入曾与王魁定情盟誓的海神庙,向海神哭诉自己的不幸,恳求海神主待公道。然而,海神、判官、小鬼终无灵验。面对冷漠的诸神,桂英绝望了,她发誓一定要报仇。强烈的复仇心理使桂英产生了纪幻觉,她觉得自己已经变成了鬼,海神恩准她与判官、小鬼一起前去捉拿王魁。到相府后,桂英见到了负心的王魁,向他述说着别后的思念,想重新唤起王魁旧日的感情。然而,这一切都无法打动王魁的心,他生怕费尽心机获得的荣华富贵化为乌有。因此,他开始以谎言哄骗,最后竟恶毒地羞辱桂英。桂英怒不可遏,狠狠地打了这个忘恩负义的无耻之徒。王魁恼羞成怒,竟然拔出宝剑欲杀桂英,这时,判官、小鬼一拥上前,将王魁拿下。然而,这只是一场纪幻梦。醒来之后一切如故,桂英的满腔怨恨无处倾诉,真是空悲对寒秋,怨恨悠悠无尽头。
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
回复 :1927年,叶刚在家乡南田发动“南田农民协会”与当地的大土豪何禹图做斗争,因此被国民党政府盯上。在共产党前辈的帮助下,叶刚在1929年开春来到晓庄师范一边学习,