剧情简介
节目迎来首位双性恋主人公。十六位嘉宾，黑金男女混战，黑金抢夺佳人芳心。更有往季嘉宾，重返节目参与竞争。各出奇招，只为夺得“初印象”玫瑰。@亿万同人字幕分享
黑金1997粤语
节目迎来首位双性恋主人公。十六位嘉宾，黑金男女混战，黑金抢夺佳人芳心。更有往季嘉宾，重返节目参与竞争。各出奇招，只为夺得“初印象”玫瑰。@亿万同人字幕分享
麦洁文
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
小池彻平
回复 :史蒂芬霍金教授，丹尼尔乔治教授及克里斯多夫盖福一起脑力激荡，究竟人类有没有可能，又该如何到达更远的其他星球？
博比达林
回复 : 第十二届中国大学生电视节在福州海峡奥体中心隆重启幕，作为 “放飞梦想”青春歌会以开幕盛典形式开启了一场中国大学生、电视行业以及艺术学界的年度文化盛事。现场邀请来自北京大学、中国人民大学、首都师范大学、福建师范大学、福州大学、闽江学院等全国各地20多所高校3000多名大学生，与20余位艺术家及影视演员代表激情开唱。将第十二届中国大学生电视节开幕盛典打造成一堂生动的思政课，在继承发扬“大学生欣赏、大学生创作、大学生参与”品牌特色同时，立足闽都文化，服务高校师生，谱写青春序曲，擦亮青春底色。
