剧情简介
《乐队我做东》是一档由爱奇艺VIP出品、视频米未制作的乐队真人秀衍生节目。节目将记录超级乐迷马东和他的音乐圈好朋友一起邀请乐队们和他们的好友们一起组饭局的过程。节目致力于通过真人秀和谈话的形式表现乐队舞台下的另一面，视频撕掉乐队的固有标签，挖掘乐队的真实关系，让观众看到这个群体的真实面貌，感受这个群体的真实生活。
视频合集
《乐队我做东》是一档由爱奇艺VIP出品、视频米未制作的乐队真人秀衍生节目。节目将记录超级乐迷马东和他的音乐圈好朋友一起邀请乐队们和他们的好友们一起组饭局的过程。节目致力于通过真人秀和谈话的形式表现乐队舞台下的另一面，视频撕掉乐队的固有标签，挖掘乐队的真实关系，让观众看到这个群体的真实面貌，感受这个群体的真实生活。
周冰倩
回复 :这是三架飞机改变世界的旅程：SR-71黑鸟、DC-3和空中客车A380。每一架非凡的飞机都有与之匹配的非凡故事，包括大型堵住、特立独行的人物和威胁生命的挑战。这一切尽在纪录片《改变世界的飞机 Planes That Changed the World》。SR-71黑鸟侦察机能够以三倍音速飞行在8,000英尺高空，且接近大气的边缘。不过，它最伟大的遗产是当世界陷入核战争边缘时维护了世界和平如今看来，这仍然是世界最快的载人飞机之一。通过采访与之建造和驾驶相关的男性和女性了解它卓越的历史。一个圆形机身，后掠机翼，今天的每架飞机都存在着DC-3的印记，创建于20世纪30年代颠覆性的航空杰作，不过效果显著，并且是革命性的创作。DC3促进了当时仍然不景气的经济。在诺曼底登陆中扮演了重要角色，通过它的高可靠性，高地形适应性，和经济性，一直影响着当今航空界。起因于要具有波音天空女王之称的波音747相同任务，建造世界上首个超大飞机，双层甲班喷气机。建造它不是一件小事，如果失败意味着空客的结束。这是一个A380的故事。从它的规划，到它的建造，再到它的首次试飞。这是一次高风险的挑战，工程和后勤都会面临前所未有的挑战，这种庞然大物能飞离地面本身是一个奇迹，任何风险都会导致事故发生。
周笛
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
谭耀文
回复 :《活起来的技艺第3季》选取了一批安徽具有代表性和特色的非遗项目，其中包括绿茶制作技艺、徽派民居营造技艺、徽派盆景制作技艺、漆器髹饰技艺、宣笔制作技艺、楮皮纸制作技艺等，充分展现安徽非遗的精彩面貌，挖掘安徽优秀传统文化深厚底蕴，促进非遗保护，探索非遗焕新。
