春暖花开性的8有你最新
地区:越南
  类型:杜琪峰
  时间:2025-04-24 06:37:14
剧情简介

春暖Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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明星主演
朱安禹
大支
廖韦卓
最新评论(989+)

因果兄弟

发表于1分钟前

回复 :


金贤重

发表于9分钟前

回复 : "아버님을 위해 뭐든 다 해드릴게요." 시아버지와 두 며느리의 야릇한 동거 라이프! 큰 아들은 사업에 실패하고 작은 아들은 사고로 세상을 떠나자 현욱은 본의 아니게 두 며느리와 함께 살게 된다. 그러던 어느 날, 현욱은 우연히 작은 며느리가 샤워하는 모습을 보게 되고 그 이후부터 자꾸만 며느리들이 가족이 아닌 여자로 보이기 시작한다. 게다가 혼자 오래 지내온 며느리들 또한 현욱이 싫지 않은 눈치인데…


蔡立儿

发表于3分钟前

回复 :“现实”的男人,终于恋爱了。啊!我的大学教授,但“那个”会发生的“给”(韩国)。作品的灵感,但渴望他,为了作品的女人们的惊心动魄的交感不相信,我奉上自己的合理化的回应。这样的“我”和危险的同居的唐突的弟子’是’(的)。“你给我你的学分。“我”的地位,利用而已”。


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