BBC记录片，春暖一连六集的Wild Africa探索非洲大陆的自然史，春暖以及形成六大环境的物理力量。拍摄超过两年，足迹遍布二十多个国家。非洲形形式的野生生态尽在这系列之中，以新颖手法尽显非洲新姿。这六集节目将带我们游遍非洲，发掘未为人知的沧海遗珠：第一集:崇山峻岭走遍伊索比亚高地,吉力马札罗山,接触这云端世界里许多不凡的山区动物!第二集:无际草原这里是个精力充沛,花草树木富饶的世界,供养着大量的草食动物与掠食者!第三集:浩瀚沙漠炙热高温阳光强烈,食物与水稀少加上缺乏遮蔽,让沙漠成为最艰困的地方!第四集:蜿蜒海岸非洲海岸线多采多姿,拥有热带珊瑚礁与红树林沼泽,沙漠海岸与岩石峭壁!第五集:茂密丛林热带雨林是非洲最充满生机的地方!阳光与雨水充足,而植物在这里称霸...第六集:湖泊河流从平静的马拉威湖到倾泄的维多利亚瀑布,淡水是非洲命脉,它孕育着野生动物!
芝加哥乐队
回复 :由哔哩哔哩出品、瀚叶传媒及大桔文创联合出品的《小主安康－宠物医院2》是国内首档宠物医疗观察类真人秀。 节目将视角聚焦于宠物医院，通过最真实的记录，呈现发生在医院内外形形色色的事件。与第一季不同的是，在第二季中，还会有更多异宠有趣故事、更多干货知识分享、更加真实深入体验、更全方位拍摄呈现，节目的拍摄场所也将打破医院的局限性，我们会走入百姓生活中，探访动物组织机构。
梦幻塑胶机器
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
克雷艾肯
回复 :美国广播公司和美国电影艺术与科学学院已确认，第91届奥斯卡金像奖颁奖典礼将不会有主持人。第91届奥斯卡 颁奖典礼将于周日(2月24日)在ABC电视台播出。【奖项条目】https://movie.douban.com/awards/Oscar/91/
