剧情简介
皮皮鲁和鲁西西是一对双胞胎兄妹，新版鲁西西成绩优异，新版皮皮鲁调皮贪玩。有一天鲁西西在家里发现了一个奇怪的罐头，罐头里面出现了五个只有火柴棍高的小人，鲁西西给他们分别起名博士、上尉、艺术家、歌唱家、外交官。皮皮鲁与鲁西西这对兄妹在结识了五位罐头小人后，使他们的学习和生活发生了翻天覆地的变化，开启了一系列奇幻冒险趣事。
新版：至尊
皮皮鲁和鲁西西是一对双胞胎兄妹，新版鲁西西成绩优异，新版皮皮鲁调皮贪玩。有一天鲁西西在家里发现了一个奇怪的罐头，罐头里面出现了五个只有火柴棍高的小人，鲁西西给他们分别起名博士、上尉、艺术家、歌唱家、外交官。皮皮鲁与鲁西西这对兄妹在结识了五位罐头小人后，使他们的学习和生活发生了翻天覆地的变化，开启了一系列奇幻冒险趣事。
杜雯惠
回复 :少女时期不幸失明的整骨师艾玛活得积极独立，社交圈不大但充满温暖。刚结束婚姻的她，依然每天拄着手杖满城趴趴走，不让生活跟视力一样滑入黑暗。一天，她在漆黑的感官博物馆，邂逅了帅气广告人泰欧。泰欧是事业摆第一的情场玩家，内有女友外有床伴，从未真的对谁敞开心房。艾玛的出现，迅速触碰到泰欧的情感核心。然而现实与人性，才是等在后头的艰难考验。两个迥异的个体，一场见与不见的激情。情爱的摸索之道，谁，才是真正的明眼人？ 激情过后，谁才是真正的明眼人？
山本领平
回复 :一个骗子，两个疯子，三个臭皮将的组合，竟然计划要逃出疯人院，闯入教学楼，并在时限内夺回主角阿豪窃取来的宝藏，在这么艰难的路上，阿豪唯一能依靠的只有两位不定时发作的疯子，虽然猫哥与香香总在关键时刻病发，引发各种爆笑的状况让阿豪束手无策，但阿豪也在这两个可爱的疯子伙伴身上找回了良知，开始懂得为他人牺牲与奉献，这场风波已经没有回头路，阿豪的计划究竟会完美顺利，还是全盘皆疯ddd？
陈乃荣
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
