剧情简介
市委书记A group of soldiers are ordered to hold a bridge during a zombie outbreak, but what lives underneath the bridge, proves to be even more deadly.
市委书记日记
市委书记A group of soldiers are ordered to hold a bridge during a zombie outbreak, but what lives underneath the bridge, proves to be even more deadly.
陈见飞
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
徐佳莹
回复 :宣宇贤在济州岛附近寻找一个名叫“异鱼岛”的地方，追忆起一件四年前的往事。当时，他还是某旅行社的企划部部长，为了营建一个名为“异鱼岛”的观光旅馆特意计划到异鱼岛进行宣传工作。在驶往异鱼岛的船上，济州新闻社的记者千南硕企图阻止宣宇贤的行程，要求他掉转船头，并宣称只有将死之人才能看到异鱼岛，但宣宇贤不以为然。当天夜里，千南硕在船上失踪，宣宇贤受到谋杀嫌疑。调查详情后，宣宇贤虽因证据不足被无罪开释，但依然受到种种困扰，于是他决定和断定他是杀人犯的报社主编一起前往济州岛，寻找千南硕失踪的真相。随着和岛民的深入接触，千南硕过往的所作所为被逐一揭露，而岛上关于千南硕一家受到海妖诅咒的传言，也越来越接近这两位来访者......
新香蕉俱乐部
回复 :阿文是一个性格非常内向的男人，和妻子过着平凡的生活。这是一个每天都在飞速变化的日新月异的世界，因为无法适应快节奏的生活，阿文渐渐的和社会产生了脱节，工作上也屡屡受挫。郁闷的他只好选择酒精来麻痹自己痛苦的耐心，渐渐染上了酗酒的恶习，最终，妻子因为无法忍受而选择了离开，她的离去更加速了阿文的堕落，令阿文产生了仇视社会的扭曲观念，他渐渐成为了一名专杀摩登女郎的变态连环杀手。童威和于凤是两名胸中充满了正义感的刑警，两人接手了阿文的案子，成立了特别行动小组，发誓有朝一日定要将这名危害...
