风起云涌的20世纪20年代，有图整个世界都笼罩在一场巨大的风暴之中。风云突变的京城，有图来自各国的势力碰撞角逐，危机一触即发。朝鲜人出身的日本警察李政出（宋康昊 饰）深得老奸巨猾的日本警务局部长东村（鹤见辰吾 饰）的器重，在一次追查义烈团的行动中，曾经的同事金长玉自杀，随后李政出成为了寻找义烈团领导人的急先锋。通过细心排查，李找到了金优进（孔刘 饰）所经营的古董店，而金恰恰是义烈团的干部。最近一段时间，义烈团策划将一批炸药通过火车从上海运往京城，计划炸掉日本警察局。金优进大胆将李政出引荐给义烈团团长郑彩山（李秉宪 饰），希望策反这个朝鲜人，帮助他们完成计划。无论如何，良心未泯的李政出被绑上了一条危机重重的小船，他不得不作出抉择……本片荣获第36届韩国影评奖最佳作品奖。
佐田雅志
回复 :夜深人静的英国伦敦，狡猾精明的犯罪分子雅克布·斯特恩伍德（马克·斯特朗 Mark Strong 饰）带领手下洗劫位于中心地带的银行。事成之后，他与手下驾驶摩托逃离现场，而勇猛果敢的警察麦克斯·莱温斯基（詹姆斯·麦卡沃伊 James McAvoy 饰）只身追赶，厮打过程中他被雅可布射中腿部，追捕以失败告终。三年后，藏身冰岛过着无忧无虑生活的雅可布接到一通电话，他的儿子卢恩（伊莱耶斯·加贝尔 Elyes Gabel 饰）被枪射中倒毙伦敦机场。经勘查发现，射杀卢恩的与当年伤及麦克斯的系同一把枪。爱子之死，促使雅可布冒险回到伦敦，而他与老对手麦克斯将展开久违的对决……
光永亮太
回复 :布洛克（杰森·斯坦森 Jason Statham 饰）的灰暗过往令他不得不携家带口过起了离群索居隐姓埋名的生活，和从前经历的大风大浪相比，如今和家人待在一起的平静日子显得尤为可贵。然而，现实却不愿轻易放过布洛克，一场意外的冲突让毒枭盖特（詹姆斯·弗兰科 James Franco 饰）在无意之中发现了布洛克的真实身份，布洛克好不容易构筑起的安稳即将毁于一旦。盖瑞找来了前女友雪莉（薇诺娜·瑞德 Winona Ryder 饰），在小镇之中散布着搅乱人心的流言蜚语，一时间，矛头全部指向了布洛克一家人，此时唯一信任和支持布洛克的，只有布洛克的女儿和她的老师。与此同时，盖瑞此举亦将自己推上了一条不归路。
冯曦妤
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
