江湖向来纷争不断，国产两大门派铁旗门和神鹰堂一直对立，国产都想将对方连根拔起。一日，神鹰堂的的堂主给铁旗门掌门铁麟（梁耀文 饰）发了一封请罪贴，邀请铁麟前往神鹰堂赴宴，以冰释前嫌，化解两派矛盾。铁麟认为这其中必然有诈，正想拒绝，但大弟子曹风（鹿峰 饰）则认为不如将计就计，杀他们 一个措手不及。铁麟认为有道理，于是带领一众弟子一起前往神鹰堂。果然，神鹰堂里十面埋伏，铁麟和弟子奋力将敌人一一击退，不料，意外发生了！
王珏
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
魏如萱
回复 :距离圣诞节还有一周，美丽的蒙特纳罗女公爵玛格丽特与长相跟自己一模一样的芝加哥平民史黛西对换了身份。在圣诞老人助手的魔法下，玛格丽特爱上了史黛西英俊的同事，而史黛西则爱上了玛格丽特的未婚夫，一位风度翩翩的王子。
马睿菈
回复 :在纽约打工的青年阿克塞（Johnny Depp 饰）梦中看到一位因纽特人昏倒在冰原上，雪橇犬将其救回，一只红气球在空中不停飘荡……阿克塞痴迷表演的朋友保罗（Vincent Gallo 饰）来访，邀请他远赴亚利桑那为伯父里奥伴婚，里奥在亚利桑那经营汽车生意打拼多年，遂留下阿克塞与保罗二人在车行中工作。不久阿克塞结识了性格不合的艾琳娜（Faye Dunaway 饰）与格蕾丝母女，为帮助艾琳娜圆一个飞行梦，阿克塞滞留这对母女家中，尝试制作各种飞行器，在不断的失败中从头再来，这对神经质母女的吵闹一直伴随着他。阿克塞的梦里，一只鱼在空中穿梭飞升……艾琳娜终于得到了一架小飞机，在庆祝的聚会上，阿克塞向格蕾丝示爱引发了意外的结局。本片获1993年柏林电影节银熊奖。
