一幢冷清阴森的公寓，国产零星住着几户人家，国产家家各有一本难念的经。肥周（林雪 饰）悉心照料着因车祸失去双腿老婆阿凤（关宝慧 饰），夫妻二人情深意笃。阿凤体恤丈夫的身心的辛苦，更帮助他在外召妓。肥周偶然邂逅妓女（吴文忻 饰），生活因此发生变化；与肥周同在一家火锅店打工的阿虫（黎耀祥 饰）沉迷赌球，但逢赌必输，债台高筑，最终只得来公寓投奔好友。他在这里偶遇三位赌友，随即决定搬进这里大赌特赌，全然不顾身家性命；吸食大麻寻找灵感的阿宝（彭怀安 饰）和女友阿芝（唐宁 饰）住在一起。某天阿宝遇到一个迷路的小女孩，他的生活旋即发生变化，而阿芝也变得诡异非常……红尘中人，执迷不悟。
模糊乐队
回复 :《蘑菇人玛坦戈（日文原名：マタンゴ，外文名：Matango）》，是日本东宝公司制作发行于1963年8月11日上映的恐怖电影，导演是本多猪四郎，特技负责人是圆谷英二，本片是《变身人间》系列的番外篇。本片的创作灵感来自威廉·H·霍奇森的恐怖故事《夜之声》。
胡锐
回复 :剧情:这是个诡异的故事，画家约翰和妻子艾尔玛居住在荒凉的孤岛上，画家经常为怪诞的梦境困扰，醒来他总是将梦境绘在速写本上。妻子有天碰到了一个精灵般的老婆婆，催促她去读约翰的日记，看后她发现了丈夫的秘密，后来，日记里描绘的城堡主人梅堪约他们做客，在城堡里艾尔玛发现了这些人曾经出现在丈夫的速写本上。回家路上，艾尔玛恳求丈夫远离那些人，而画家一言不发走了。回到家中画家对妻子承认在悬崖边杀害过一个孩子，第二天，城堡里神秘的访客再度约翰的家，并诱惑约翰再次来的城堡，看见了恶魔的仪式也陷入无法自拔的境地，而城堡外艾尔玛徒劳寻找着约翰，但是，她找到的是他的遗物，却永远失去了他。幕后制作：影片将惊悚片和超现实的元素相结合，表现艺术创造和疯狂之间的内在联系，是伯格曼导演的惟一恐怖片。两位主角以精湛的表演，展现了心理扭曲的痛苦，极具震撼力。
黄奕
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
