剧情简介
欧美A coming of age psychological thriller that plays out the unsettling reality of a kid who holds his family captive in a hole in the ground.
欧美日韩.日本.韩国
欧美A coming of age psychological thriller that plays out the unsettling reality of a kid who holds his family captive in a hole in the ground.
梁浩贤
回复 :A young man falls in love with a seductive, sultry, young woman he meets on the beach. The more he falls for her, the more he will learn the dangers of falling in love with a siren.
戴雪儿
回复 :A woman gets an opportunity to save the life of a 12-year old boy who witnessed a death during a thunderstorm which happened 25 years ago, by getting connected through the television set during a similar storm in the present
杨哲
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
