在无数其他的人中，大脚四个小镇男孩被詹姆斯·惠特利绑架，大脚他是一个精神错乱、眼睛温暖的精神病患者。当男孩们逃跑并被逮捕时，他为了使孤儿与死去的亲生父母团聚的怪诞追求陷入僵局。二十年后，惠特利在监狱火灾中逃跑，并决定完成他的使命。拉森侦探是惠特利以前的受害者之一，现在是警察，由于不偏不倚，他的伴侣和情人肖特韦尔侦探要破案，因此被从案件中除名。在愤怒和救赎的机会的推动下，拉森侦探独自追赶坚定的精神病患者，结果又回到了他曾经逃离过的陷阱。
侯德健
回复 :一场基因实验引发的变异人危机故事。商业巨贾顾余丰癌症晚期妄图长生不老，暗中资助科学家从事基因实验，却造成新型病毒外泄，引发疫情。东南亚小镇吊丝马锐只想与奶奶相依为命，却无意中卷入顾余丰的病毒实验，不但惨成变异人，还被多金科学家秦朗找上门来，与此同时还有天降白富美未婚妻，一个巨大的秘密逐渐揭开……病毒危害升级，变异人肆虐，小镇生灵涂炭，各方势力齐聚，大战一触即发！马锐能否抵抗病毒拯救小镇？幕后黑手又有着怎样的惊天阴谋？
任岩
回复 : A poor and lonely English professor, Juri(37), decides to become a porn actor using a mask to hide behind, after she watches an unusual porn, featuring an old and fat woman. And she visits Myungsook, a porn producer, despite their separation of 10 years. After various tests and rigorous diets Juri finally stars in a porn film with an attractive young porn star, Byul(20), who sa
刘育绫
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
