超人前传第七季
地区:台湾
  类型:剧情
  时间:2025-04-04 11:51:03
剧情简介

1980年代,超人北京。外贸公司业务员田丹(高飞 饰)因引进设备出现问题,超人到火车站接技术员李非(张晓林 饰)时,意外遇见分别多年的女友苏小梅(陈冲 饰)。面对田丹的惊诧,苏小梅不为所动。李非对进口设备提出独到见解,副处长宋琪(智一桐 饰)对李非的见解不屑一顾,为找到原因,二人开始针对说明书展开运算。田丹再次见到苏小梅,两人亮开心扉,畅谈了分别后各自的生活。父亲田仲华(许还山 饰)发现儿子跟苏小梅的关系,从中作梗,他希望儿子娶副部长的女儿彭芳(屠茹英 饰),志趣的不同让田丹无法和彭芳交流。由于运算条件很差,田丹的运算遇到前所未有的困难,他硬着头皮求父亲疏通关节,父亲趁机提出了自己的要求......

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明星主演
陈诗雨
Ҷʢ
堀内孝雄
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合而为一合唱团

发表于7分钟前

回复 :星期五的夜晚降临,整座城市已经提前陷入了周末的狂欢气氛之中。劳拉(瓦莱丽·勒梅西埃 Valérie Lemercier 饰)收拾好行李准备去找她的男友共度一个浪漫的周末。哪知道途中,劳拉竟然遇见了交通大堵塞,原来,巴黎的公交车司机们正在进行一场大罢工,劳拉不巧受到了波及,看着堵得水泄不通的马路,劳拉并不觉得着急,生性乐天的她懂得享受生命里的每一个时刻,哪怕这一时刻并不是那么令人愉快。命运的齿轮开始转动,这场堵车让劳拉认识了一个名叫简(文森特·林顿 Vincent Lindon 饰)的男人。此时的劳拉并不知道,自己和眼前的这个男人并非只有一面之缘,在日后漫长的人生里,他们的命运都被紧紧地维系在一起。


李佳璐

发表于3分钟前

回复 :得赌神毕生绝技的刀仔(刘德华 饰)在龙五(向华强 饰)的陪同下重出江湖,代表师父以赌技致力慈善事业,人称赌侠。遇到欲拜赌神为师号称赌圣的阿星(周星驰 饰)后,两人互展计谋绝技,打成平手。 侯赛因(单立文 饰)为替被赌神击败的义父陈金城报仇,在赌船上打着赌神旗号骗尽东南亚阔佬钱财,欲使赌神身败名裂,并设计挟持了龙五和阿叔(吴孟达 饰)等人,以期封住刀仔的口,不把他的真实身份揭穿。为了赌神的声誉,刀仔和阿星一用赌技绝学一用特异功能,并肩合作与侯赛因在赌桌上展开了智斗。


玩乐团

发表于7分钟前

回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.


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