短柄斧3
地区:加拿大
  类型:纪录片
  时间:2025-02-23 09:16:12
剧情简介

小茶(姜梦茹 饰)、短柄雨烟(谢容儿 饰)、短柄黛丝(薇拉贝儿 饰)和扣子(陈嘉敏 饰)是同在巴洛克艺术学院里学习的好友兼室友,彼此之间感情十分要好。一天,小茶突然失踪音信全无,在老师的组织和帮助之下,雨烟等室友们开始寻找小茶的下落,没想到却牵扯出了一个十年前发生在校园里的恐怖传说。一个名为玉子(岳文龙 饰)的美术老师的身影渐渐浮出水面,虽然十年前她就已经不幸死去,但她的身影现如今还常常在校园中徘徊。在寻找小茶的过程中,黛丝、扣子等人亦接二连三的失去了踪迹,最后只剩下雨烟一人苦苦追查,离可怕的真相越来越近。

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朴章根

发表于1分钟前

回复 :神秘又开放的金三角地区位于印度支那三国交界,是一片三不管的地带。1954年,台湾当局响应联合国决议,下令撤出流落在金三角地区的国军,但是,还是有至少十一万国军及其家属留在了这里。国军参谋范龙(梁朝伟 饰)从俘虏营中逃出,历尽艰难回到国军营地。士兵阿丁(林志颖 饰)亦回归部队,老兵老谢(吴孟达 饰)给予了丧失战友的阿丁兄弟般的关怀。国军贺司令(柯俊雄 饰)与缅方谈判,试图放下武器归顺,范龙施计保存了部分军火,缅方却对国军赶尽杀绝,全赖范龙,国军得以突围而出。然而队伍很快出现了分化,范龙等人投奔土匪,贺司令则带领余部归顺泰国政府,流落在金三角的国军将士,为生存展开了卓绝的斗争……


央金拉姆

发表于8分钟前

回复 :


姜彩二

发表于8分钟前

回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.


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