继《心灵小屋》后 再次见证美好的生命奇迹！全美史上最热销福音歌曲背后不平凡的故事，感动疗愈千万人。比《攻其不备》更激励人心，在平凡中找寻不凡的成就，闯出自己的一片天。永远相信自己，只要勇敢实现梦想，你就是改变世界的那个《关键少数》！当你受挫时，音乐就是你的心灵解药，让美妙的音乐抚平伤痛，让信仰在黑暗时带来光亮，让梦想在每个人的心中种下希望。爱，就要及时说出口。巴特（杰麦可芬利饰）在严父亚瑟（丹尼斯奎德饰）的高压教育下成长，无论他如何讨好父亲，亚瑟的心就像一道高墙，挡在他们父子之间，不让巴特轻易接近。他伤心难过，也曾逃避，但音乐与信仰改变了他；音乐让他有勇气面对一切，而信仰让他了解父亲到过世前都说不出口的爱。终于成功站上舞台的他要将这份喜悦透过音乐分享给人们，而他相信父亲一定在那个被称为「天堂」的地方，微笑着听着他的歌声。
孙闻雍
回复 :本片讲述农村和城市留守儿童的成长故事。两人在大学相遇、相知。毕业后，男主周洋为了追求女主陈欣，不顾家人的反对，由城市来到留守村。与陈欣及孩子共同生活的这段时间，自己改变的同时，也改变了自己对父亲的看法.....
丁文琪
回复 :除夕夜的刘家寨，寡妇张彩霞（袁嘉敏饰）和她婆婆李月梅神秘失踪了。报案后，经警方调查，把村里采石厂厂长刘东民（陈保元饰）、无业游民刘放（巴多饰）、采石厂爆破手刘山炮（桑平饰）列为了嫌疑人，但三人都矢口否认。此时的关键是要找到张彩霞和李月梅，尸体到底藏在哪里呢？一系列看起来亦真亦假、扑朔迷离的证据摆在众人面前，究竟哪个才是真正的证据呢？
红雨
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
