由黑泽明和小国秀夫导演改编自高尔基的同名戏剧。 一个工匠、久久精品精品一个夜鹰、久久精品精品一个卖糖人、一个花花公子、一个演员、一个小偷、一个朝圣者，以及其他许多生活在江户（现在的东京）末尾的没有阳光的唐楼里的人，与一个不可爱的房东和他的妻子交织在一起，形成了一个干巴巴的生活描写。 该片制作时间短，预算低，这对黑泽明来说是不寻常的。 东宝公司厌倦了漫长的制作周期和巨大的制作成本，让黑泽明亲自制作这部电影。 据说，黑泽明只做了一个露天布景和一个室内布景，经过精心排练，用几台摄像机同时拍摄。
彭海桐
回复 :李伟练武出身，不过功夫再好也掩盖不了屌丝的身份。后来成功逆袭入赘豪门，娶了个哑巴弱智媳妇，被老丈人一家看不起，生活失意。此时的老丈人孙德福横跨黑白两道风光无限，不料多年前的风流往事如今给他带来了麻烦：私生子神秘出现！这个一脸苦逼的小镇青年，软硬不吃，不屈不挠，怎么看也不像个省油的灯。老头子的现任儿子打算背着老爸干掉这个私生子，不安于室的李伟也卷入其中。腥风血雨即将到来.........
动静
回复 :影片还原了斯基泰马萨格泰草原女王托米利斯击杀波斯阿契美尼德王朝国王居鲁士二世的历史传奇。托米莉斯命中注定将成为一名出色的斗士，然而成为传奇之前她不得不牺牲最亲近的人。
徐小凤
回复 :The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
