一对爱恋的男女，妖妇因时局的动荡而不能在一起。于是女主人公就把一首唐代伟大诗人白居易的《长恨歌》：妖妇“在天愿作比翼鸟，在地愿为连理枝。天长地久有时尽，此恨绵绵无绝期。”写在一幅象征“荣华富贵”的牡丹图上一起给了自己心爱的恋人，但他们的爱情故事犹如诗中所描述。“爱到极致便是恨”。时过境迁，“牡丹图”在一次事件中下落不明。多年过去。已是暮年的男主人公带着仅存的记忆和遗憾，跨越时间与空间寻找这幅带着思念与爱的“牡丹图”。然而，人性的贪婪，为他的寻找之旅设下多重关卡…
廖小璇
回复 :某个夜晚，首都圈警视厅高层举行例会。突然一名持枪男子闯入会场，将所有长官劫为人质。警方迅速调查劫匪身份，发现其竟是早已离职的前巡查部长八重坚哲也（小泽征悦 饰）。此后不久，特种部队强突会场，营救行动圆满完成，混乱中八重坚饮弹身亡。由于不清楚八重坚的真实目的，而他被杀的过程中也存在蹊跷，杉下右京（水谷丰 饰）和神户（及川光博 饰）旋即展开调查，发现这一切似乎与七年前某起足以引起国际纷争的恐怖袭击案件有关。而另一方面，警方高层出于某种原因也不断施压，试图阻止特名组的调查。层层迷雾后面，究竟隐藏着怎样惊人的真相？本片为同名电视连续剧第二部剧场版。
李大龙
回复 :“儿童村”是一个全部由孤儿组成的神秘组织，在黑势力的推动下一次又一次地犯下不可饶恕的罪孽，他们十年前犯下一起灭门案让雅凡成为遗孤。年幼的她隐忍十年，决心让这群凶手血债血偿。雅凡以一桩离奇的奸杀案为借口混入“儿童村”内部，她的美貌及火辣吸引了整个“儿童村”的男人，上演了一场一女对五男的精彩扑杀。兄弟反目、强奸未遂、贩毒被捕、跳楼自杀，复仇手段不断升级……
谢军
回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
