相依为命的母女俩余春天（毛舜筠饰）和任秋水（吴千语饰）同为品牌内裤公司擎天的设计师，内地虽然她们的设计颇受欢迎，内地但是这家秋水舅舅Hugo（黄百鸣饰）的公司在运营上出现了问题。关键时刻，他找到了4年前分手的女友——现为某时尚女装品牌的老板缪斯（海清饰）。缪斯不计前嫌，同意帮Hugo摆脱困境，但条件是擎天必须设计一款名字为“男人如衣服”的女装。为了实现翻盘，Hugo在全体动员的同时，还请来了名设计师Jojo（熊黛林饰）。Jojo傲慢的态度令秋水母女大为光火，她们提议和Jojo分别设计，最后由缪斯定夺。
黄河
回复 :Тихоокеанский лайнер. Полуобнажённые красотки, участвующие в конкурсе красоты. Шампанское и голубой океан… О таком бывшая звезда телевидения, а ныне ведущий дешёвых свадеб, даже и не мечтал. Однако круиз мечты неожиданно прервётся цепью невероятных событий. И наш герой окажется на необитаемом острове, в окружении трёх финалисток конкурса — принципиальной стервы, паникёрши и классической блондинки.Что делать Ведь лишившись возможности выиграть вожделенную корону, девушки его наверняка порвут на кусочки… Значит надо продолжать конкурс! Сделав вид, что так задумано, Роман начинает представление. Он убеждает девиц, что на острове понатыканы скрытые камеры и микрофоны, шоу выводится в эфир одного из главных каналов и вся страна теперь следит за финалом конкурса красоты! И всего-то нужно пройти пару испытаний под прицелом вон того ближайшего кокоса… то есть камеры. И пока девушки включаются в соревнование, наш герой ищет путь спасения с острова…
伊藤由奈
回复 :A professional thief with $40 million in debt and his family's life on the line must commit one final heist - rob a futuristic airborne casino filled with the world's most dangerous criminals.
阚杰
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
