在崇山峻岭之间，国内塔莉娅（莫蕾娜·巴卡林 Morena Baccarin 配音）和儿子达米安（Stuart Allan 配音）隐居于此。他的外公瑞斯组建并训练刺客联盟，国内期待着下一个继任者的成长。谁知就在这一天，瑞斯当初的得意弟子“丧钟”斯莱德·威尔逊（Thomas Gibson 配音）带着叛变的刺客杀来，一番激战过后，瑞斯不幸身亡。在此之后，来不及悲伤的塔莉娅带着达米安来到哥谭市，寻找儿子的生身父亲蝙蝠侠布鲁斯·韦恩（杰森·奥玛拉 Jason O'Mara 配音）。从未谋面的父子，展开了磕磕绊绊的相处。与此同时，丧钟的野心持续膨胀，当他的触角伸向哥谭市时，他终将和蝙蝠侠父子迎来一场大战……
林稷安
回复 :十年前，为把持朝政对外求和，当朝丞相联络刺客组织刺杀当朝大将军。大将军女儿晴天目睹父亲被杀后巧合之下得知收养自己的丞相竟然是当年生父被刺的幕后真凶，而当年刺杀父亲的执行者之一刺客影化名卫平就职于丞相府侍卫统领。晴天设计引诱刺客组织刺杀自己，真正目标赫然是当年与父亲之死的所有关联人。丞相，逃亡的侍卫李东，甚至刺客头领暗都在晴天的设计之下一一死去。在最后面对卫平的反击之时，晴天才得知，当年卫平因不忍杀害大将军在行动中故意露怯而被刺客联盟逐出师门。被仇恨冲昏头脑的晴天最终伴随着自己的计划随风而去，只有一直坚守信念的卫平存活下来。
王艺翔
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
邵雨涵
回复 :PARK Duk-joon is an old man living by himself. Every night, he suffers from insomnia attacks brought on by disturbing flashes from his dark past. He tries in vain to pray and find solace in religion. His only friend is Mrs. LEE, a church elder who gives him weekly church bulletins. Mrs. LEE invites him to a testimonial at her church. Duk-joon is surprised to see the face of the speaker. He is LIM Gwang-han, Duk-joon’s former superior officer from his days as a police interrogator in the 80s. They meet for the first time in years, Gwang-han brings up Duk-joon’s painful past again.
