乌比·戈德堡、精品丹妮尔·戴德怀勒(《脱衣舞俱乐部》)将主演传记新片[蒂尔](Till，精品暂译)。池娜叶·楚库([宽宥])执导，池娜叶根据基思·博坎普与迈克尔·赖利撰写的初版剧本改写。故事讲述了美国黑人民权运动中的一桩真实事件，1955年，年仅14岁的埃米特·路易斯·蒂尔被指责与一名白人妇女有不正当关系后，被绑架并被残忍地杀害。两名白人嫌疑人在全白人陪审团的审判下，被判无罪。埃米特的母亲玛米·蒂尔-莫布利(丹妮尔饰)为了帮儿子伸张正义，决定在埃米特的葬礼上敞开棺材，并让《Jet》杂志刊登自己儿子葬礼照片，她想让世界各地的人们知道她儿子的遭遇。随后成千上万的人看到了埃米特的照片，这也使得埃米特案成为了对南方黑人司法不公的象征。乌比饰演埃米特的祖母阿尔玛·卡尔坦。
陈怡川
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
吴宗宪
回复 :“盗界传奇”洛川在津门市落网，但唯一有证据的案子涉案金额过小，于是洛川仅仅被判了六个月。六个月后，洛川刑满释放，准备和在监狱认识的盗墓人安仔一起干票大的。他们的目标是市博物馆的馆藏文物——“阴阳玉佩”中的白玉。津门市黑市大佬枭先生开出天价要这块玉。之前让洛川在自己眼皮子底下逃走的女警关琪，得知洛川刑满释放后，决定私下调查洛川。但却再一次被狡猾的洛川利用，不仅没抓到洛川的把柄，反而间接帮助洛川完成了任务。最终，洛川和安仔带着偷来的白玉登上了枭先生的赌船，一场大战即将爆发……
藏娃
回复 :「明日の記憶」「2LDK」の三浦有為子が脚本を手がける本作。ある男の葬儀後にアトリエで出くわした女性3人が、その男に3股をかけられていたと知ったことから展開する、“精子バンク”が題材の会話劇となっている。
