剧情简介
影片讲述将犯罪组织成功转型成金融企业后，亚洲想要金盆洗手的黑帮二把手美玉(金惠秀饰)的故事。
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影片讲述将犯罪组织成功转型成金融企业后，亚洲想要金盆洗手的黑帮二把手美玉(金惠秀饰)的故事。
张在衡
回复 :貞雅丈夫的公司破産，她負債累累。爲丈夫探望高利貸負責人的鄭雅，在自己家當管家的情況下，接受了支付利息的建議，一邊忍受着性騷擾一邊工作。高主任邀請投資者到他家，并利用他的妻子善熙引誘他。高主任說他會還清正雅的債務，并與善熙和正雅一起策劃竊取公務員财富的陰謀......
宗辉
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
绚香
回复 :男主角邵峰的女友，因为识破了公司高层贪污的事情，却被公司CEO与属下恫吓，失足跌落高楼女友的死，让邵峰愤怒，决定在第二年万圣夜予以报复。却意外卷入了无辜者沈琳。沈琳用自己的善良让邵峰明白，所谓的报复过于极端疯狂。邵峰在沈琳善良的感召下，放弃复仇，沈琳也摆脱男友去世的阴影，重新坚强起来。
