剧情简介
陨石撞击地球引发海底火山喷发，江边小镇随时有被海水倒灌的风险，人们纷纷逃离。念念在临行前一天，决定跟儿时好友告别，却意外跟小镇上的人们相遇，这座城市在记忆里的样子渐渐清晰起来。
内向的老板
陨石撞击地球引发海底火山喷发，江边小镇随时有被海水倒灌的风险，人们纷纷逃离。念念在临行前一天，决定跟儿时好友告别，却意外跟小镇上的人们相遇，这座城市在记忆里的样子渐渐清晰起来。
田馥甄
回复 :本片讲述相传女娲补天时七彩神石中有一颗遗落于不周山脉南部的一座峰峦之巅，女娲座下灵狐一族则被派遣下界守护神石的故事，天地混沌，万物伊始，水火二神为夺天帝之位大战，共工怒触不周山，故天倾西北，月转星移。修罗界各大邪族势力率四大凶兽偷渡人间，幸得女娲补天终止邪族势力的进攻，千万年来子泰民安四海升平。狐仙老祖用自身万年寿元与天道交换保灵狐仙山千年不受侵犯的守护结界即将到期，而狼牙妖族的势力却日益壮大，灵狐族即将面临一场生死浩劫，狐仙老祖便召集众人欲在后辈狐族之中选出一位灵狐加封圣子，以肩负起守护仙山和神石的重任。大家都在私下议论谁会是神石的传承者，灵狐族的圣子。而狐仙老祖告诉大家，须在霞光分散，七彩共存之时，神石自会从后辈狐族中选出有缘者，加封灵狐圣子。狐仙老祖用自身万年寿元与天道交换保灵狐仙山千年不受侵犯的守护结界即将到期，而狼牙妖族的势力却日益壮大，灵狐族即将面临一场生死浩劫， 小灵狐陆白在机缘巧合下被神石选中，成为了灵狐圣子承担起了守护灵狐仙山，拯救灵狐族的重任。天道使然，灵狐族果然遭受劫难，身负重伤的陆白被行军途中的太子肖景宸所救，陆白为感肖景宸救命之恩遂与他结下生死契约，伺机拯救狐族。
邓曼茹
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
罗时丰
回复 :《热唱吧！》讲述的是17岁高中女生刘玉芳（陈慧敏饰）热爱音乐，梦想成为歌手。在音乐老师张智仁（周国贤饰）的帮助下，展开了一场追梦大冒险。无意中，小芳竟发现了智仁与班主任黄希（吴海昕饰）之间仿佛有着暧昧不明的情愫……与此同时，小芳在误打误撞之下，得到了一个出道成为歌手的机会，在学业和音乐梦想之间，小芳究竟会如何抉择！？
