剧情简介
本剧改编自同名小说，付出讲述了察时和雄马在录制节目时，付出遇到了资产家被刺杀的事件，他们想亲自追凶但无果，现场无凶器且三嫌皆有不在场证明，因此无奈之下，只能请求时乃瞒天过海毁灭证据。随之，雄马想要和时乃真心交往且邀她合作，而时乃的初恋成新案嫌疑人，雄马嫉妒心爆发，展开了公私兼顾的调查...
我们付出的代价
本剧改编自同名小说，付出讲述了察时和雄马在录制节目时，付出遇到了资产家被刺杀的事件，他们想亲自追凶但无果，现场无凶器且三嫌皆有不在场证明，因此无奈之下，只能请求时乃瞒天过海毁灭证据。随之，雄马想要和时乃真心交往且邀她合作，而时乃的初恋成新案嫌疑人，雄马嫉妒心爆发，展开了公私兼顾的调查...
黄龄
回复 :14年7月，坂本龙一确诊咽喉癌，遂中止工作。1年后回归，为电影《与母亲生活》《荒野猎人》制作音乐。与病魔斗争、从自然中获取灵感，在媒体艺术、电影领域开花。2015.11.28 wowow放送《坂本龍一の700日》纪录片。主要记录了教授康健复出后为《如果与母亲同住》以及《荒野猎人》制作背景音乐的过程等（music, art and life）。结尾部分为2015-10-31 Avatar Studios, NY live.
柯林
回复 :罗尔娜（艾塔·多布雷西Arta Donbroshi 饰）通过一桩移民婚姻取得比利时合法居住权，她和她那个跑遍欧洲打工赚钱的阿尔巴尼亚男友索科尔（Alban Ukaj 饰）最大的梦想就是存钱合开一家酒吧。瘾君子克劳迪（杰里米·雷乃 Jérémie Renier 饰）通过 与罗尔娜结婚帮她拿到比利时合法居民身份，同时他也从中间人费比奥（布里奇奥·罗吉恩 Fabrizio Rongione 饰）那里拿到一笔钱。中间人费比奥一边策划用过量毒品害死克劳迪的阴谋，一边和罗尔娜准备合作通过同样的方法使一个俄罗斯人成为比利时公民。在罗尔娜和克劳迪一起生活期间，居然生出几份温馨的感觉，汉尔娜决定尽快和克劳迪离婚从而让他免于一死。克劳迪因吸食毒品过量而死，罗尔娜按照原计划进行的相当顺利，可是她却感觉自己怀孕了，而且她告诉费比奥孩子的父亲是克劳迪。在2008年第61届戛纳电影节上，达内兄弟凭借此片获得主竞赛单元最佳编剧奖。
接招合唱团
回复 :The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
