一部难得的片子，通过毕加索的家人，前妻，画商，朋友的解读，我们才知，尽管毕加索的晚年作品濒临色情的边缘，但也让我们见识了什么是不顾一切狂野地表达自己突破绘画技巧！而为了悟透男人与女人，性欲与爱的关系，纪录片里会解密他是如何做的。毕加索一生都受性的诱惑，他在作品与生活中都全身心地享受性的乐趣。毕加索每次换个女人，也是每次换个标准，换个视觉，因为他要全部占有女人，直至她的视觉；这时他自己也换了个人。“标准”、“改变视觉”、“性的对话”、“性与心的转换”、“占有女人直至她的视觉”，这是毕加索的艺术中的性心理学的一条粉红色线。如果狄德罗知道了，会说这是极佳的心理临床学。因为他早在两个半世纪以前就说：“一切生物都是你中有我，我中有你……任何禽兽都多少是人，任何矿物都多少是植物，任何植物都多少是禽兽……人是什么?人是某类倾向的总和。”
金正勋
回复 :葡萄牙电影，入围2017悉尼电影节。幽深的失魂森林，是葡萄牙的自杀胜地。某天，一个想要自杀的老人，遇见了同样求死的女孩。老人和女孩，各自敞开心扉，在赴死的边缘犹豫。接着，画风骤转，女孩把老人切腹，大开杀戒。贯穿全片的一句话是梵高的“悲伤永驻”。
金妍宇
回复 :故事改编自石舒清短篇小说《花开时节》，发生在中国西北一个叫舒家川的小村庄，苜蓿花盛开的时节。来自外省的养蜂人李韩在此安营扎寨，养蜂采蜜，与常在附近铲草的当地姑娘麦麦产生了一段若有若无，似弱还强的感情纠葛。李韩自有隐情，麦麦也已订婚，加上小男孩素素往来穿梭于其中，频造波澜，令感情不知走向何方……
董青
回复 :In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it. Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused of making up their allegations, later they are prosecuted for giving false testimony and sometimes they end up serving prison sentences. ‘VictimSuspect’ shows how the roles are reversed so the perpetrators are declared innocent while the victims sometimes end up behind bars and other times end their lives. Rae de Leon gets first-hand accounts from the women and interviews legal experts as she delves into police methods, interrogation techniques and preliminary investigations, and the outcome reveals a corrupt system. Nancy Schwartzman charts a law enforcement agency that confuses victims and suspects and is relevant far beyond America’s borders. It is a powerful testimony to systemic failure, police handling of cases and a determined journalist’s attempt to change it. 源自：httpscphdox.dkfilmvictimsuspect
